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April 9, 2008

baseline quality

The fact that MUJI only existed as a kind of boutique product to be purchased at the New York MOMA store until a few months ago says a lot about what the baseline standards of quality are in this country. For products that are considered "everyday" in most other countries (UK, France, Japan and elsewhere) to exclusively be sold in one of the most reputable modern art museums in this country only goes to show that what is exceptional here is quotidian elsewhere. Following that logic, it is easy to see that what is considered to be of acceptable quality here is mostly likely complete rubbish in other places.

This evaluation of quality is not limited to well-designed home products, one can see it in the level of innovation in the arts and music and anything that requires some modicum of design sensibility. We've now even proven beyond any doubt that we are completely and totally inept at fighting wars. Is it any wonder that the world is getting its money the hell out of our banks?

What I'm saying isn't startling news. We seem quite happy with our lagging technology, crumbling infrastructure, and general disinterest in things outside of our borders.

notes for a live session

5 Rules

You are free to make any sound of any volume at any time.

If someone makes a loud noise, make a soft noise until they stop.

If someone makes a soft noise, make an even softer noise.

If someone is being boring, reframe the exchange.

Make the sound that you least expected to yourself to make.

April 6, 2008

michiko's life

L.

(Explanatory note on Michiko's Life: This episodic story is an on-going outlet for my inner Tokyo-ite: an idealized super-modern, sleek, intelligent, and perpetually in motion sophisticate who participates in a highly secret government operation that astoundingly benefits the population despite popular cynicsm. Michiko questions herself mercilessly but only on those occasions which truly require it. She is the ultimate non-neurotic).

Sexual Peak Time Reduction in Sector 577 was one of Michiko's least favorite duties as Officer of Cultural Boundary and Discretion. But implicit in paragraph 3579C, the one hated by all those left-wing rioters, is the mandate for civilian tranquility. Since Edo it has been known that prolongation of stimulation is indubitably the most significant reducer of violence. With the invention of the Thompson Web it became possible to realize this en masse. How anyone could protest this was beyond her. Her lifelong work, since her first days in BureauComm, has been training as the invisible hand, overseer of the daily maintenance of that hairline between desire and satiation. Tactile realization of communal longing through the Thompson Web was simply the culmination of the upper classes' goal for civilian docility.

A tiny shock ran from finger to brain, her skin pinched as the tendrils gripped her hand a little more tightly than usual. Translating the prickly paradox of push and pull to the tricky minutiae of movement which triggered the Thompson Web was exhausting. Every tendon's vibration becoming physical realization in Sector 577. Such responsibility was integral to her sense of self-worth. The requirement of anonymity gave her the air of apparition.

(for previous episodes, go here).

spotted on the train in sf

via the standing room.

April 4, 2008

katrina lamb and myself last night at live session in grove street projects

greed

I've read the first one hundred pages of Elfriede Jelinek's Greed. They are fierce reading; here's why:

1) Every paragraph is a small literary forest fire.
2) We live a 1/2 step away from the "state of nature."
3) Anytime we emote some self-aggrandizing grunt about how we are civilized, it is, in fact, self-delusional.
4) In the world of the first one hundred pages of Greed, heterosexual men are sperm-generating relay pumps with little capacity for empathy. Women are hyper-empathetic creatures who will disgrace themselves for the chance to be lubricated by men.
5) The book's first one hundred page's stance on gay people is unclear. Some kind of glitch in the genetic replicating machine maybe?
6) Humans are reprehensible creatures but we definitely are interesting, tantalizing, and frustrating to ourselves and others throughout the weird unfolding of our lives.
7) These first six points are too literal a reading. She short-circuits them all through an intense self-awareness, constantly injecting the writer's (is it really her?) confusion about motivations and perspective. The nearly musically rhythmic way in which she pulls it off is exquisite.

April 3, 2008

live action tonight

announce.jpg

April 1, 2008

new batch of drawings at petit paradise

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Click through for more by Erik Visser.