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maximum from minimum

Since a teenager, I've been attracted to the idea of expressionism, especially that of the German/Austrian variety. I like thinking of how one can squeeze out the power of an aesthetic concept in the most minimal way, whether it be the cubism of Picasso or the gut-wrenching tonalities of Schoenberg's Sechs kleine Klavierstucke. There's a sensuality to it, even in the works of Webern. Tying minimalism to expressionism might seem a bit odd, but they're both dealing with an attempt at getting to the heart of the matter with limited means, it's just that minimalism is a bit more angular and cerebral while expressionism is sensual, messy, and generally rather unfriendly.

I recently learned about the work of Egon Schiele. His work is striking and tight and impassioned, I would add him to my list of expressionists. I wish I could get to New York to see it at the Neue Galerie.

Basisinfo_Leopold_Museum_Schiele_Bild_w142.gif

schiele.jpg

Posted by on January 14, 2006 10:22 AM | Permalink

Comments

feldman presents a problem here.
the harmonic content is very much arnold & friends (esp. webern)-inspired,
but the mezzo, macro structural concerns (esp. rhythmic and structural) are all very minimal-esque.
oh, bother! morty, when you composed, you weren't just trying on brooks brothers, where you?

Posted by: r. | January 14, 2006 12:46 PM

also, we've all seen this a few times already, but why not see it again?
http://www.voiceoftheslug.org.uk/images/redgaze.gif

Posted by: r. | January 14, 2006 12:48 PM

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