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January 31, 2005

sf 11

Just back from a long run, the weather today in San Francisco was sunny bright clear and just a little chilly, in other words perfect weather for turning off the brain and partaking in primitive activities like walking to the park and watching the amiable friendly northern California couples out with their cute dogs on the way to the juice bar. Everyone in this city seems to have taken sensitivity training classes, if there is one thing that San Francisco lacks more than anything else it is an edge, this cultural bubble is built on a little island of self-satisfaction and gooey good feelings. Gotta put a stop to that...

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January 24, 2005

more examples of dutch sensibility in design

From the weekend's New York Times:

To make communities safer and more appealing, Mr. Monderman argues, you should first remove the traditional paraphernalia of their roads - the traffic lights and speed signs; the signs exhorting drivers to stop, slow down and merge; the center lines separating lanes from one another; even the speed bumps, speed-limit signs, bicycle lanes and pedestrian crossings. In his view, it is only when the road is made more dangerous, when drivers stop looking at signs and start looking at other people, that driving becomes safer.

Nobody can blur the distinction between anarchy and regulation like Dutch designers.

too cool

It seems one of my favorite writers has taken a glance at my blog: J.T. Leroy mentions it on his press page. I'm all giddy now. (I really am!)

If you're in San Francisco, The Heart Is Deceitful Above All Things is kicking off the SF Indie Film Festival in a few days.

taken on a walk through san francisco

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connecting

I watched Tom Twyker's The Winter Sleepers tonight, a slowburn of a brooding visual and emotional feast, all about the delicacy of human relationships. It took me too long to find this film.

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January 22, 2005

new listening

RIP Orthlong Musork. I just received what will probably be my last two orders from the wonderful label: heroin + remixes, and Bousha Blue Blazes, from the creators of the Lucky Kitchen label. The Bousha Blue Blazes blew me away, reminded me of my interests in recording the day to day sounds of friends, piecing them together making something larger than the sum of its parts. The CD is dedicated to "our grandmothers and your's." Heroin, I still haven't heard, am going to go put some coffee on and check it out a bit later on this Saturday morning.

heil freedom!

Momus has penned some very nice writing on the American war machine's search for its next target.

January 16, 2005

my music is not a political act (unless i say it is)

Oakland is to Rotterdam what San Francisco is to Amsterdam. While at the 21 Grand performance space last night, in the heart of Oakland, I couldn't help but think that I was back at Wohlfahrt in Rotterdam, with a disparate community of enlightened people all pulling together to make something happen. I also can't help but think that my music becomes a political act in this situation regardless of what sounds I make. Like last night, the event was a fundraiser for Neighborhood Public Radio, a low frequency pirate radio station serving the East Bay. This is a radio station with an agenda, they are out to reclaim the airwaves and introduce a wonderfully anarchic voice into the national consciousness. Lots of Negativland and John Oswald was heard. A blistering deconstructive tirade against KOIT Radio was delivered as well as an interesting discussion about the work of Walter Benjamin. And then we come to my music, with a video presentation by Radim Labuda, conceptual video artist from Prague. The sound and image were taken from a recording of me giving Radim a haircut, we then sculpted it all in realtime for the show.

There was no intentionally political or social message in this performance. And to me this was very refreshing especially after some of my recent forays into the muddy swamp that is politische kunst. But because of the venue, the audience, and the city itself, what we did became an overt political act, everything at this event was processed through a sociopolitical perspective. And this very much reminds me of Rotterdam.

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(l to r) Sudhu Tewari, Mark Bartscher, and Lance Grabmiller

On the train ride home, I found myself pining for my days in Tokyo where I could do art that was so unattached to any question of politics, that was as close to an icy removal from geopolitical considerations as anywhere I have seen. Call it denial, blissful ignorance, modesty of opinion, whatever: in Tokyo art can almost just be art. I'm torn though, I really do love the sense of community that exists in Oakland and Rotterdam, arising from a shared sense of outsiderness. Sometimes it's just a little too damn comfortable though.

January 12, 2005

saturday @ 21 Grand

Copyright infringement aplenty is to be found at 21 Grand this Saturday, I and Radim Labudo are on at 8:00. Here's the schedule. If you're in the area, would be great to see you there! The whole event is from 3 until 11 PM.

January 11, 2005

la

Great entry on the video game version of Los Angeles and the "real" Los Angeles over at City of Sound. Makes me want to make another trip down to that megalopolis to see if I can figure out what I think about it once and for all. I heard that the downtown area really is undergoing a major revitalization, and the Japanese restaurants down there are as good as they ever were which is a major deficiency up here in San Francisco. You have to drive to Silicon Valley just to find a decent izakaya, but at least I now know that they do exist (thanks George).

distribution

When I lived in Tokyo I wondered how someone could get the gig writing the jingles for the trains as they entered the station, it seemed amazing that you could write a short piece of music and thousands of people could listen to it on a daily basis. Granted, the audience is a bit captive, but still. And with ringtones your music can reach an audience that would normally never hear it. So I was excited when I found Freeloader, allowing everyone to make their own.

January 8, 2005

how a haircut happens

Myself and Czech video artist Radim Labuda, a visiting student from the Prague Academy of Fine Arts, will be doing a piece at 21 Grand in Oakland next Saturday. Sound and image are taken from a video recording of me giving Radim a haircut. Details to come.

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January 7, 2005

national ombudsman for children

On the news, two days ago, I heard a report about tsunami survivors returning to Sweden. Psychological counseling stations were set up in the Stockholm airport to help the battered survivors deal with what they had experienced. And casually the report cited a quote from the National Ombudsman for Children regarding the effect of the tragedy on the nation's young people. I love this concept, an Ombudsman for children! Speaking for those whose voice is never heard, putting the adults in their place. I wonder how much power the Ombudsman has? Could he, for example, punish an adult for not being playful enough? ("Next time you'll take that kid to the park when he wants to go, you're sentenced to three hours of Pee Wee's Playhouse!")

I wish there were an National Ombudsman for Struggling Artists and Musicians.

January 5, 2005

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